I think the difference is one of expectations. I get the strong impression that the author of the article is accustomed to images "meaning" something and being presented by photographers who are trying to "say" something.
Fashionable urban types dress up to attend gallery showings at which a bored-looking hipster photographer is displaying his framed images of grainy, empty street scenes of nothing in particular taken from odd angles. Each photo of nothing is a deeply meaningful expression of nihilistic enlightenment or a tour-de-force denunciation of capitalism or materialism or whatever, and if you're sophisticated enough, you can buy one for $10,000.
Hilariously, these captcha images that are just random shots in random directions look just like deliberate dreary, sophisticated, urban expressions of nihilism. But only if you are accustomed to assuming that photos "mean" something, so a photo of nothing must be expressing something: nihilism.
But if you walked down the street and saw most of those scenes, you wouldn't think about it at all. Equivalent, meaningless scenes are around you most of the time, indoors and out. And if you don't unconsciously assume that an image is trying to say something, an image of nothing won't feel depressing at all.
Fashionable urban types dress up to attend gallery showings at which a bored-looking hipster photographer is displaying his framed images of grainy, empty street scenes of nothing in particular taken from odd angles. Each photo of nothing is a deeply meaningful expression of nihilistic enlightenment or a tour-de-force denunciation of capitalism or materialism or whatever, and if you're sophisticated enough, you can buy one for $10,000.
Hilariously, these captcha images that are just random shots in random directions look just like deliberate dreary, sophisticated, urban expressions of nihilism. But only if you are accustomed to assuming that photos "mean" something, so a photo of nothing must be expressing something: nihilism.
But if you walked down the street and saw most of those scenes, you wouldn't think about it at all. Equivalent, meaningless scenes are around you most of the time, indoors and out. And if you don't unconsciously assume that an image is trying to say something, an image of nothing won't feel depressing at all.