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Seek out any Bach played by Glenn Gould. The incredible thing here is that Bach left sheet music but sheet music of the age did not include time, so the music has to be interpreted. The "Goldberg Variations" are this interpretation by Glenn Gould (a pianist).

I'd throw in Beethoven's 3rd and 5th Symphonies.

I'd also throw in something like Verdi's Rigoletto and Rossini's Barber of Seville.

In my past I owned a record label which specialised in pop, rock and folk music. I had to learn classical like I had to learn jazz. But the thing that made this easier for me was the realisation that there is far far more rock / pop than there is classical or jazz. It can be intimidating but you only need an entry point to get you started. Whatever that is will be personal to you, but the best advice anyone can give is to just listen.



> so the music has to be interpreted

Just to extend this point: My understanding of the topic might be far off as I haven't ever learned music under a teacher. But to me there's great deal of interpretation even with tempi marks that even good students just aren't thinking.

I sometimes enjoy watching masterclasses of players with wealth of experience. Andres Schiff is one of the most famous ones. Also Maxim Vengerov the violinist. Anyone that hasn't seen one masterclass should look up on youtube if that sound remotely interesting.


Besides tempo, at Bach's time, dynamics (loudness) weren't usually written down.

But there's always a lot of interpretation involved, even today. The score is a very rough model of the music, akin to jotted down notes outlining a novel. Or like a manuscript for a film.




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