> Can one describe the process using any verbal language in sufficient detail such that another master or a robot could create David? That's an example of thought processes beyond language.
Possibly. Even if this was just emulating the thought process that happened non-verbally, it would still work. I imagine that's a big part of why language seems so critical an invention: because it can be used as emulator of otherwise non-verbal thought processes.
That said, in case of Michelangelo, describing the "algorithm" is not sufficient, because just as important are the external factors. Art reacts to the medium and situation, so there's a lot of randomness into any specific work. It's kind of like with Stable Diffusion - we could get the prompt just right to generate something like a picture someone else generated, but there's only one seed that will result in identical output, and that little number is something we can't easily reverse.
Possibly. Even if this was just emulating the thought process that happened non-verbally, it would still work. I imagine that's a big part of why language seems so critical an invention: because it can be used as emulator of otherwise non-verbal thought processes.
That said, in case of Michelangelo, describing the "algorithm" is not sufficient, because just as important are the external factors. Art reacts to the medium and situation, so there's a lot of randomness into any specific work. It's kind of like with Stable Diffusion - we could get the prompt just right to generate something like a picture someone else generated, but there's only one seed that will result in identical output, and that little number is something we can't easily reverse.