Yes this. Tennenbaums and Zisou were still primarily narrative fiction which allowed the actors to really be the spotlight, which let the characters really come alive.
In Budapest, French and Asteroid it felt increasingly like the actors were too confined to fulfilling an aesthetic for them to come alive or for the actors to shine.
Apologies in advance for sounding controversially critical, I can't help but be reminded of AI art where its trying so hard to look a way that it stops being something you want to look at.
In Budapest, French and Asteroid it felt increasingly like the actors were too confined to fulfilling an aesthetic for them to come alive or for the actors to shine.
Apologies in advance for sounding controversially critical, I can't help but be reminded of AI art where its trying so hard to look a way that it stops being something you want to look at.