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It's the opposite. Modern movies are obsessed with plot. Inception being an example of this. It's everything else, the image and characters that's lacking. You're never going to get something like Tarkovsky's Solaris again that just shows you a highway scene for five minutes.

Villeneuve commented on this a year or two ago in an interview where he pointed out that he hates the extent to which television has infected film with its focus on plot and dialogue at expense of what's visually on the screen.





> Modern movies are obsessed with plot. Inception being an example of this.

I don’t think Inception is a great example of this. It has plot, but the plot is all texture. None of it makes that much sense, nor does it need to.


To me they all seem to be video game plots or soap opera / palace drama plots, which might be intricate yes, but it still doesn't hit the mark. I can't put words on it, but the spell is broken.



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