> or needing 100 different subscriptions to get some good content
Cable still exists. People wanted the ability to sub to whatever they wanted (often leaving out sports for example). That's happened and now people want it all in one place. It turns out what people want is everything in one place for free, which is leading Netflix to have an ad-tier. Though, re-bundling is going to take some time as consolidation happens.
I just want to pay a reasonable (I'll get back to this) price for the things I actually want.
Netflix was OK with me (and I think a number of others) despite being a subscription service not because it was a subscription.
It was OK because it was
- the only option
- reasonably priced
- and had "everything" one wanted
So what is reasonable?
I'd assume that with all the cost savings given the digitalization of the delivery at least it shouldn't be more expensive than renting a physical dvd, although I'd accept if they adjusted a little for inflation.
So use the Apple TV store (formerly iTunes Store). There you can buy nearly anything from any studio, and you pay per episode or per season. Whether the costs are reasonable or not is in the eye of the beholder but I don't feel ripped off by it.
Nothing is for sale at the Apple TV "Store". You pay for a license to stream a piece of content, that lasts until Apple or the content owner decides to revoke it.
I have a bundle of Downton Abbey that is no longer for sale on iTunes and I can play it, but (for a while, they may have fixed it) at the end of an episode you had to navigate to the next episode by selecting the show and scrolling horizontally through every single episode. Technically possible but very irritating.
(Funny thing: I was watching the show when the switch happened… I watched two or three with the obvious play next episode in series behavior and then it suddenly stopped working… apple support finally told me it seems like it was related to it being taken off in favor of a bundle with the film included.)
> Books yellow and age and rot. No content you have ever bought lasts forever.
Many libraries all over the world have books which have lasted for centuries, far longer than a single person's lifetime. The books I bought as a child can last longer than my own body. That's close enough to "lasting forever" for most practical purposes.
Centuries-old books have had special care to preserve them.
If you want your personal books to last most of your lifetime, then there needs to be a modicum of care taken, which isn't always possible, especially while you're in transit and moving from one place and into another. How many books have been lost that way?
The whole point was someone lamenting digital license may not last forever (though Apple's has, so far) and I'm just reminding everyone that physical media doesn't last forever either.
Part of the concern is "I can keep it longer if I take care of it or if I keep track of it properly", eg if it gets lost or ruined its due to some lack of care by the end user, vs "I only get to keep it until some third party decides I don't get to have it any more".
Interesting. I have paperback books that my grandmother owned in the 40's that are a little fragile, but still easy to read without damaging. Perhaps they were a more expensive production process than yours.
My father-in-law (RIP) used to be a paper engineer and he had a huge collection of paper at home. He used to make his own paper for fun and I had the pleasure to assist him on a few batches. Interesting, if time-consuming hobby.
Anyhow, comparing different paper types you can see, feel, and smell the differences in quality. It starts with good raw materials, recycled low-quality paper will never make high-quality paper. That's because for high-quality paper you want long cellulose fiber in the paper. The longer the fiber the hardier the paper. The less acidic the paper, the better. You add chalk to make paper less acidic. The best paper has very long cellulose fiber and is virtually acid-free. If your paper turns yellow and "brittle" over time it is because of acid.
Now, the paper-surface is treated to create different effects (e.g. glossy, water-resistance). IIRC, that is called "coating". Coats may introduce acid again. Note that untreated paper is rather smooth and yellow-white-ish. To get this recycled, natural, rough look that is en vogue at the moment, you actually have to treat the paper to look like this. From an environmental point of view you would be better of with a smooth white paper. For longevity you want to coat your paper with an acid-free solution.
It is a little bit ironic, but engineering improvements in paper manufacturing allowed us to produce paper with lesser and less raw materials and worse pH values (e.g. industrial mills need far less water for a ton of paper than a century ago). This cheaper paper replaced the cheap paper from before, therefore degrading the paper quality, making modern cheap books less hardy than old cheap books. Cheap paper from 1930 will last a century or longer, cheap paper from 1970 will last maybe 50-60 years under normal storage conditions, ie. in an open bookshelf.
Now, that's only the paper. The printing ink and the binding also play a role in longevity. First, ink adds acid to the process, which is always bad, but depending on the ink type (dye or pigment, fountain pen enthusiasts will know this) the ink itself will fade faster or slower. Ancient inks are all of the pigment variety (or maybe at least those we know of). They have very long staying power. Modern inks are mostly dye and as a rule of thumb add more acid and fade faster. Bindings have little impact on readability, but are of course vital to the survival of the book as a book. A glue binding will degas over time. It becomes hard and breaks in a few decades. When single pages break out of the book you see the cheapest of the cheap bindings. Exposure to heat will accelerate this process, so if you like your glued books, keep them out of the sun.
High-quality books are saddle-stitched and work differently. First of, you do not stitch individual pages but fascicles, a bundle of paper, each paper holding four pages, which are then again stitched together in bigger bundles and finally into the book cover. This requires some forethought in the layout of the book and is very, very expensive. I own an archival hardcover print of _Also sprach Zarathustra_ from 2002, which was sold for about 300 EUR at the time. It was gifted to me for some accomplishment then. That's a book truly in its own league. I own a few other archival hardcover prints, but none this good. But I digress. I wanted to say that with good paper, coating, ink, and proper storage those books have virtually no end of life.
Sorry for the long post, brought up a lot of memories.
> I'd assume that with all the cost savings given the digitalization of the delivery at least it shouldn't be more expensive than renting a physical dvd
I'm confused. A typical streaming service has hundreds or thousands of what would typically be a physical DVD. So how much should they charge?
Also, the vast majority of the cost for most content is in the creation of the content.
The tl;dr is that we've demanded things with such enormous production costs that were basically almost entirely subsidized on a socialized model, where the big appeal of the big ones subsidized the costs of the less successful ones, in a way that would make them not reliably financially viable in isolation.
But the content that is so specific it only appeals to 1-10% of people is both the most memorable and also often the content that is basically guaranteed to not hit for 90% of people. So your math on who's going to pay to consume it changes drastically when the ceiling is so much lower, especially when the effective price required is so much higher that it's going to drive even more people away.
So it's a much larger risk pool to hope you'll make your money back with the error bars so much narrower, and businesses being businesses, they go for the bland thing with a lower risk pool 99% of the time, and then wonder why their returns keep shrinking.
> It turns out what people want is everything in one place for free
I'd say this is provably false based on the popularity of streaming services, specifically the rise of Netflix's streaming service. That is the opposite of free.
Netflix is not offering ad tiers due to a lack of subscribers; they are doing it because there were a handful of quarters where revenue stagnated. This does not mean it was a bad business model; it means they want perpetual growth to satisfy shareholders. Same old story.
The reasons cable was and is bad and was destined to be replaced:
- No ability to unbundle (as you said)
- Messy time-shifting (DVRs, PPV, all that nonsense)
- Complicated and limited setup (proprietary hardware; extra fees for multiple devices; no ability to view on a computer or mobile device)
- Tons of fun trying to cancel
Cable has two real advantages:
- Fast channel switching
- Garbage exclusivity contracts
Streaming doesn't solve exclusivity but it certainly doesn't make it worse. In fact, making it easier to subscribe and cancel makes it significantly better.
For a while. Over here we expect to lose one of our three commercial TV stations in the next few years, because the market (ie. ad spending) has been moving online. Regional broadcast stations are already shutting down, because it is not worth the cost of maintaining the transmitters when people can get the same stream online.
It turns out what people want is everything in one place for free
No, it doesn't "turn out" that way at all. But if the pirates provide better service for free than the proprietors offer at any price, that can hardly be seen as my problem as a consumer.
For a few brief, shining years, it looked like the media and entertainment industries were starting to understand that. Turned out not to be the case, though.
Spotify! I used to pirate music because I couldn’t afford it otherwise, then suddenly Spotify made it so reasonable it’s genuinely worth not pirating
As for subscribing to Netflix Disney+ Hulu Prime Apple TV HBO peacock nebula discovery+ paramount+ crunchyroll YouTube premium/TV.... I may still download some stuff
Cable is laced with advertising and is linear, whereas much of the world has moved on to on demand. Further, what folks always wanted back in the days before streaming was the ability not to pay for genres they didn't want. Netflix had a reasonable low price for a while so it was worth it even if you only really watched one or two genres they had, and ignored the rest of the content. But with higher prices, it is ever more difficult to justify. Disney used to offer Disney, Hulu, and ESPN separately or as a bundle, so if you didn't watch sports, you could just get Disney and Hulu. Or if you just wanted Disney, you could get that. But they have raised prices and increasingly pushed bundling.
I for one would be perfectly willing to have an option where I could get Westerns for 2 or 3 bucks a month, Action/super heros for 2 or 3 bucks, SciFi for 2 or 3 bucks, Romance/RomCom for a buck. Kids/cartoons for a buck or two etc. And then choose what I want to subscribe to each month. But if you are going to charge me 20 bucks a month, you had better have 20 bucks a month worth of content that I actually want to watch. (and no ads). Oh, and stop making good shows with cliff hanger endings and then canceling them!
> Cable is laced with advertising and is linear, whereas much of the world has moved on to on demand
As a counter, there is a trend of linear streaming channels increasing in popularity. Lots of people just want to put something on for a bit of time rather than doom scrolling on-demand to find something to put on. There have been times where I've spent the majority of the time I was willing to kill watching something searching for something to watch. Curated channels with content that your interested in is very compelling.
> I for one would be perfectly willing to have an option where
These are definitely out there. I worked on the backed in for something that did this very thing. There was a channel for nothing but old western TV shows. Another channel that was nothing but animal related content. Another that was basically a Hallmark channel with similar content. I never did see what their pricing was though
Beyond the providers still offering linear TV (and the new ones being built in a new "trend" sometimes referred to as FAST TV [1]) You can see some of the linear background channel desires/trends in Twitch streaming numbers, too, and in some of the popularity of some Twitch streaming channels (such as MST3K's 24/7 MST3K channel). Also this is part of why several big "comfort events" on Twitch such as 24/7 streaming of Bob Ross or Mr. Roger's Neighborhood blew up virally.
Cable still exists. People wanted the ability to sub to whatever they wanted (often leaving out sports for example). That's happened and now people want it all in one place. It turns out what people want is everything in one place for free, which is leading Netflix to have an ad-tier. Though, re-bundling is going to take some time as consolidation happens.